Print & Ephemera
Figure 1. War Deaths, Traumas, and Other Misc. Injuries (two versions)![]() type: diagram project number: 110614-01, 110614-02 format: digital image summary: The image that most often comes to mind when someone says "casualty of war" is usually that of a soldier shot by another soldier from an opposing army. In reality, over the past half-century or so, victims of wars and other violent conflicts have become increasingly civilian (and often disproportionately women and children). We present here two different versions of our diagram for your consideration - one visually explicit, one not - for a variety of learning situations and audiences. Warning: This image contains images that may disturb some viewers. Buttons: We Remember![]() type: ongoing button series summary: We made these buttons for our friends La Lleca, who work with prisoners in Mexico City. (Our friend Teacup delivered them for us when she went to visit recently.) Each button has a tiny picture of Pinky with her giant flag and a place/date that we burn into our memory. TV News: SO I HERD U LIEK... (new version)![]() type: image macro summary: This is Bunny in a spiffy suit (ugly tie though) making believe she works at Fox News. If you are not into this sort of thing perhaps you will prefer the old version? TV News: SO I HERD U LIEK... (old version)![]() type: image macro summary: Here we have a picture of a very serious-looking Bunny wearing a replica of one of Walter Cronkite's suits and it looks like she "borrowed" Edward R. Murrow's favorite microphone too. If you are not impressed perhaps you will like the new version better? Future Museum Report: Some notes on our time-travel expeditions, 2028-2098![]() type: mini-report project number: 100725-01 format: PDF file summary: Q: Why are Pinky & friends so interested in the future of museums that they'd be willing to risk their lives to time-travel? A: Two reasons! 1) Because institutions reflect and reproduce the dominant values and narratives of its host society; AND 2) Because, among the institutions in society that most powerfully shape our understanding of past, present, & future, museums (in comparison to schools, corporate media, etc.) enjoy the least critical examination from the general public. That's why! AAM 2010 MuseumExpo Ephemera![]() type: poster, flier, button summary: These are some of the ephemera we made as part of our participation at the 2010 American Association of Museums Annual Meeting and MuseumExpo in Los Angeles, California. Trivia question for nerds: How many future-vehicles can you identify in the poster? Recognize any of the buildings? Pinky-in-a-museum-display-case poster![]() type: poster summary: From the mildly unpleasant dead Pinky story, Pinky Gets Stuffed: or, an illustration of how everything in a museum is something like a corpse, in Appendix A of Kim's mini report, The Creation of Value: meditations on the logic of museums and other coercive institutions. (See video: We Love Museums... Do Museums Love Us Back?) Radical Education Fanzine No.3 (September 2007 Issue)![]() type: e-zine words & illustrations: Pinky total number of pages: 16 summary: This is a zine we made for our friends at Radical Education, an educational project based in Ljubljana, Slovenia. Most of the mini-stories in this issue are based on the work of visual artists we like - for example, Edgar Heap of Birds, Adrian Piper, and Tehching Hsieh - then adapted to issues of learning and education. "Abolish Nuclear Weapons" & Pinky's self-portrait![]() type: poster & tshirts summary: About Pinky's self-portrait: her final split-second of consciousness as she beholds the nuclear explosion that will soon obliterate her forever. Don't let this happen - save Pinky! Save the whole world! Demand the abolition of nuclear weapons! We need constant reminders that nuclear weapons are not going to magically disappear by themselves. |





















